Tuesday, May 31, 2011

Blog Update - Find Me on Facebook!

Greetings!

Normally I don't post strictly to announce things about the blog, but this one is an exception. My main promotional tactic so far has been to post new blogs on my personal facebook profile, but now that I'll be posting more over the summer I've decided to change that.

I have over 400 friends on facebook, and maybe 10-15 of them read my blog, which means that only about 5% of my friends are interested in reading the blog. So as not to risk harassing the other 95%, I've decided instead to have a facebook page dedicated to the blog. So, if you are one of my friends who uses my personal status updates to get notified of new posts, please go "Like" the new Facebook Page, otherwise you won't receive those updates via facebook anymore. Of course, if you haven't already, you can always subscribe via e-mail or subscribe to the RSS feed using the widgets to the right.

I'm in the middle of an intense portion of the job hunt, but I plan on posting something in the next couple of days that I hope will be interesting and helpful. Thank you so much for reading. Blogging is a means of self reflection for me, and I feel that it's beneficial for my teaching. Knowing that there is an audience, even if it's a small one, motivates me to continue writing. So thank you again! Until next time, take care!

Musically yours,
Mr. Cooper

PS. Don't forget to find the blog on Facebook! Thanks again!

Saturday, May 28, 2011

Body Mapping for Conducting

Greetings!

I hope everyone's spring concerts and graduation ceremonies have gone well!

Thanks for joining me for this discussion, which I'm actually quite excited about. I considered breaking it into two parts as the video components take some time, but I figure you can always leave and come back as you wish. Keep in mind the best information is at the end, which is what everything else leads up to!

We're going to talk about the importance of body mapping in conducting. Your body map has a significant impact on your expressive ability, as well as how the motions impact your joints over the long haul.

But wait, what is Body Mapping?

Thursday, May 26, 2011

How I Got My Son to LOVE Classical Music

My son, Devin, conducting and
singing. What a cute kid!
Hello again!

My son, Devin, LOVES Classical Music! Not only does he enjoy being around musicians and examining musical instruments, he loves listening to it. Every day when I pick him up from daycare he asks me one two questions as soon as we get to the car:

"Can we listen to Beethoven?"

or...

"Can we listen to Tchaikopsky?" (not bad, right??)

Wednesday, May 25, 2011

Music by Frank Erickson

Greetings!

For some odd reason I recently had the craving to listen to the music of Frank Erickson.

Frank Erickson was an important composer and arranger for wind band after World War II. He also did some pedagogical work, including arranging music for the "First Division Band Method" and writing his own band course. I won't go into great detail about his bio, but if you're interested you can find some information on windrep.org. All that I'll really say is that he wrote some gorgeous music. Several of his prominent works are slow and lyrical. He has an exceptional ability to write beautiful, moving lines, and this has caused band directors for decades to use that music to help teach musicianship to their players.

Saturday, May 21, 2011

The Three Levels of Listening

Greetings!

One of the most difficult things to teach students is active listening skills. I was very fortunate in my early high school experience to have someone present a schema for listening to me that was easy to understand and apply. I've continued to use it as a player and a teacher with success.

For any readers who haven't taken Education courses yet, a schema is basically a model for understanding something that you create in your brain. For example, if you know the rules for the NFL, you've developed a schema. However, when you watch Arena Football, you have to adjust your schema (understanding of how football works) slightly to accommodate the different rules. It's also possible to have to develop completely new schemata when the information you discover cannot be assimilated into an existing schema. Moving on...

The Three Levels of Listening

Developing active listening skills
takes guided practice. It's like
developing a seventh sense.
(The sixth is Kinesthesis)
I don't know who came up with this, otherwise I would give them credit. The idea is that there are Three Levels of Listening. You focus your listening on specific things in specific levels, and when you have achieved certain things on that level, you move up to the next one while still monitoring what you've already worked on at the same time.

Level One - Listen to Yourself

As teachers we understand that if a player does not sound good individually, it will be impossible for them to blend into the sound of the band. So, the first goal is to train students to listen critically to their sound and their playing, and to make adjustments. When you begin putting this schema into practice, you start with "Level One - Listen to Yourself". 

There are certain check offs at this level (as with all of them). They're all related to individual playing. For example, "Are you playing with a good tone quality?" "Are you playing in tune?" "Are you playing with good articulation/style/musical shaping?" And you could go on. If they can answer "Yes" to all of these questions, then they move on to Level Two.

Wednesday, May 18, 2011

Book Review: "The Creative Director: Alternative Rehearsal Techniques" by Ed Lisk

Hello again!

It may not look like much on
the cover, but I think you'll
be impressed.
One of the things I'd like to be able to do is review the books I've read and give some good information as to what you can expect if you're considering purchasing them. I am a reading fanatic, but I don't have the funds to buy all the books I want, so I always have a difficult time trying to pick the ones I think would work best.

Well, let me come right out and say that so far I am a big fan of the entire Creative Director series. Let's talk about Ed List, The ART system itself, and if you're interested, you can find out what to expect with the first book in the series. It's definitely where you'd want to start.

Monday, May 16, 2011

Who is Responsible for Learning - the Teacher, or the Student?

Hello again!

One of the long running debates in education is the question of who is ultimately responsible for student learning - the student, or the teacher?

This is a topic that nearly everyone and their dog will contest at some point, even people outside of the education world. The student who had a terrible experience with their teachers might blame their school experience for their lack of enthusiasm for learning, or their poor lot in life. The person who fought tooth and nail to become successful might argue that it's the student's responsibility.

It's also like the argument for technology in schools. Some people say, "That's how students learn now" while other might say, "If they really want to learn, they can read out of a textbook. That's how we've been learning for hundreds of years, and it worked just fine." The answer varies from person to person depending on their personality and experience.

Everyone has an opinion. But who is right? And more importantly, how should we as teachers look at this argument? A teacher's stance on this issue has a huge impact on how they structure their classes, assignments, and teaching style. At some point, we all need to analyze this philosophical point and take a stance.

"Ultimately, the Student is Responsible"

Can you really argue against this stance?

We live in a society that believes that you can be anything you want to be if  you're willing to do the work that is necessary. Regardless of what happens around you, regardless of your circumstances, you can be successful. But it's not easy - it's hard. And ultimately, if you don't make it, you only have yourself to blame.

Just like in the classroom. You might have the world's worst teacher, or the world's most boring teacher. But does that give you license to fail? How many of us have had teachers whose class worked something like this:

"Today we're going to read Chapter 16. After we're finished you will answer questions 1-20 at the back of the chapter for your homework assignment." Either the class takes turns reading, or the teacher reads.

Were these inspiring or even interesting classes? No. We all had teachers like this. But just because they weren't really teaching, did that give us permission to fail? No. And most of us didn't. We might not have learned much, but we did the work and passed the class.

I've heard the argument many times that no matter what you do, it's ultimately the student who is responsible for their learning. After all, you can't be sure the student is really practicing. You can't make them take their instrument home, and sometimes you just know that they're forging the initials on their practice charts.

If the student really wanted to be good, they would practice, right? Right. So if they don't practice, it's because they don't care. Whose fault is that? Not caring is a mind set, so didn't the student choose that? If a band walks into rehearsal and hardly does more than waste time, it's because they don't care about being good, right?

Many would say, "Right." I've literally heard an active, veteran band director say (not one I'm close to, by the way), "The kids at my school suck." I've also heard things like, "The students just don't care.", or, "That school just has good students."

Is it true that some schools have better students than other schools? After all, some schools are TEA recognized or exemplary, while others are at the bottom of the barrel. Why do some campuses have high academic achievement while others struggle? Maybe it's the students.

And maybe it's not totally their fault. Maybe they come from bad neighborhoods, or have bad parents. I think we can all agree that schools have different demographics, and that the demographics of a school do impact the culture and present different challenges for the faculty and administration. All of those things, many will agree, are outside of our control.

But is all of this really outside of our control? Or at least outside of our realm of influence? Not according to the other camp. They believe that....

"Ultimately, the Teacher is Responsible"

After you left that class where the teacher's version of teaching was to have students grade the previous night's homework, take turns reading the chapter, and then individually answer questions at the back of the book, you probably were relieved to be sitting in a class where the teacher took a radically different approach.

Not the worst on screen interpretation
of a music teacher. =^)
I used to think I didn't like History, and that it was a weak subject for me. Non-sense. I've come to discover that history fascinates me. While I often found the first year of Music History to be boring, the second year was much more interesting. I also had a different teacher. He still lectured from notes based on the book, but he had a way of making it interesting by bringing it to life.

I enjoy watching the History channel (when they're not running sensationalist documentaries). For example, I loved watching, "America: The Story of Us". Why? Because they brought US History to life. It was dramatic. It was compelling. While I had already previously learned most of what they covered, now it was being put into context by telling the story of individuals, their struggles, and their triumphs, which ultimately were part of the nation's greater struggles and triumphs. That's so much more exciting than, "Chapter 16".

What many great teachers will say is that we have the power to influence them. Great teachers can make students care. They can make the material interesting. They can make class enjoyable rather than boring, or uncomfortable. They can structure their instruction to cater to all learning styles and intelligences. And so on.

While a school cannot control the environment in which it is founded, many believe it has the power to influence its surrounding community. One philosophy of learning says that to make the material relevant to students, the knowledge should be used in the context of carrying out projects that improve a student's surroundings, whether the project is focused on improving the school or the community.

And we know all of this is true. We know that the teacher makes a huge difference in the success of a student. Not only are studies showing this, but we know this from our own experiences. Tim Lautzenheiser, in his clinics, always has people close their eyes and envision the teacher that made a huge difference in their life, then reminds them that someday one of their students will be asked to do the same thing, and it will be their face the student sees.

So while students can choose to be good or not to care, ultimately we can also say that a master teacher can change that student's attitude using a slew of approaches. Ultimately, teachers are responsible.

But wait, even master teachers can't seem to get every student on board. So who is really ultimately responsible?

Choose Possibility!

Honestly, I don't think the philosophical point is what really matters. What really matters is how we, as teachers, perceive it to fit our own purposes. Our goal should always be to aim to be the best teacher we can be, to make the biggest positive impact on our students that we can with the time that we have with them.

Ultimately, you can't logically argue one point over the other. They're both technically correct, and impossible to prove wrong. This is where our friend Ben Zander comes in.

Ben Zander, conductor of the
Boston Philharmonic and co-author
of "The Art of Possibility".
Ben Zander co-authored the book "The Art of Possibility" with his wife, in which they outline 12 practices to change how you see the world around you, and operate within in. They argue a couple of interesting points that I think we can all agree with.

"It's all invented."

This is simply another way of saying that everything is what you make of it. And we can all agree with that. Different people live in different worlds, based on what they believe and how they interpret the world around them, and the actions of the people that inhabit it. Some people choose to believe that the teacher is ultimately responsible for learning, while others choose to believe it's the student. And technically they're both right!

But here's the kicker. It is a choice. You choose how to perceive the world around you. And with that in mind...

"Choose the option that creates possibilities."

If the teacher decides that ultimately it's the student who is responsible for their own outcomes, then where does that leave the teacher? The teacher, with that view point, has no power to influence the learning outcomes of their students. The students will either succeed or fail, to varying degrees, based on their own motivation (or lack thereof) to succeed. There is nothing the teacher can do about it.

Is that really what you want to believe as you go about your day?

On the other hand, if you believe that the teacher is responsible, suddenly you accept full responsibility for everything that happens in your classes. If a student doesn't get it, it's not their fault, it's the fault of your instruction. If your instruction is working for most students, but not other students, then it means (if you want them all to be successful) you can look for ways to improve your instruction to cater to different learning styles and abilities. The important thing is this...

Suddenly, by choosing this view point, you have opened up possibilities. Now, where as before you were helpless, you now have options. You can work at it until you hopefully find something that works.

That's no garuantee that you'll get every student. Individuals are different enough that we may never succeed in doing this. But I'll also say this - every master teacher I know chooses this perspective. They choose to believe that they are accountable for all the outcomes, good and bad. They don't necessarily lament the bad outcomes, but they choose to use it as feedback of their instructional methods, and then look for ways to improve their methods so that they reach the students they might have missed before. Or at least improve the outcomes in some way.

They're always looking for ways to improve. And they're already the best!

So if you happen to be of the camp that says that students are ultimately responsible, I implore you to choose a different view point. Choose the view point that creates possibilities, that gives you options, that gives you a path to make a difference. While this may not be a prerequisite for becoming a good teacher, it seems to me that it's a prerequisite for becoming a great teacher.

Musically yours,
Mr. Cooper

Friday, May 13, 2011

DIY Stand Mirrors for Beginners (or Private Lessons)

Greetings!

It's easy to get off track when you fall out of a routine! Sorry for the absence in the last couple of weeks. This past Saturday was my graduation, hence my absence the week before, and this past week I have been focused like a laser on the job search. Fortunately the job hunt has picked up quite a bit, and if I'm lucky I may land something in the next couple of weeks. Please keep your fingers crossed for me! But on to the blog...

The Idea: Stand Mirrors for Beginner Classes

One of the things I wanted to do with my graduation money (or at least some of it) was to buy teaching materials. One of the biggest ideas was to get a bunch of small mirrors, like compact mirrors (that come with women's make up), that I could put on student's stands so they could watch their embouchure while they play. Usually you only get this with a well equipped lesson teacher, or occasionally a teacher uses one mirror and lets the student see themselves as they play. I don't hear about this often, though, but I've always heard it can be a very valuable tool for students.

After all, if you've tried to teach embouchure to a student, you know that they tend to do things with their lips that you didn't tell them to. And sometimes, even if you tell them not to do a certain thing (move their corners/puff out cheeks, etc. etc.), they'll continue to do it without realizing it. Watching themselves play is probably the only way they can see that they really are still doing whatever it is you asked them not to. After all, aren't some students more visual learners than physical learners?

So what if you could find a way to put a mirror on every stand without burning through a small fortune? Here is a simple solution that I've embarked on - Acrylic mirrors.

Traditional Mirrors vs. Acrylic Mirrors

Traditional mirrors are basically glass with a reflective material on one side so that it reflects through the glass. Acrylic mirrors are basically the same thing, except instead of glass, it's a plastic material, like fiber glass.

Regular mirrors are expensive, and they're also potentially dangerous. I originally looked into regular mirrors at the potential price tag of $3.00 a pop. But then my Risk Management training kicked in. What if I take these to a rough school some day? A kid could potentially break one of the mirrors and use a shard as a deadly weapon. I mean, who knows, right?

So I decided to look for something safer. In comes my grandfather, a life long handy man. He went into his backyard during a recent visit and brought a dirty, scratched up sheet of acrylic mirror. I immediately got pumped.

Making Acrylic Stand Mirrors

This part is actually very easy. It only takes three steps.

1. Find a sheet of acrylic mirror.

Depending on where you live, this might be the hardest part. The Lowe's in where my grandfather lives, for example, has them, but the Lowe's where I live doesn't. This is a shame because the sheet he gave me is pretty scratched up. It won't look completely nice, but I'll still use it as it's definitely better than nothing! He claims that you can get a sheet of 24" x 14" for $10, but I haven't been able to find it that cheap or that small. You can order a sheet a little over twice that size online for $55. I can't remember the size, but I remember estimating it would make 74 4" x 4" mirrors. That's still pretty cheap for the quantity, and MUCH cheaper than glass mirrors!

2. Go to the home improvement store of your choice and have them cut the sheet into squares.

It will be in the Hardware section, and they will do this for you for free. It just takes some time standing around! I chose 4" x 4" squares, but not for any particular reason. 

3. File the corners to round them off.

When they're done cutting, the corners of each square won't be sharp enough to cut someone, but they could probably do a little damage. Rounding off the corners will take some time, but it will decrease the risk involved with having them out, and it looks nicer. You'll need a metal file. I bought the cheapest one available for about $5 and it worked just fine. If you have a few extra dollars, you might also pick up a file cleaner. Not being able to easily clean my file added to the time it took to finish the job.

Optional: Add magnets to the back of the mirrors.

This would let you stick them onto the stands and leave them there, but allow you to remove them later at your discretion. I hope to do this later so I don't have to spend a ton of time collecting and distributing mirrors each day. Besides, the less they get handled by the students, the better. After all, I'm sure some students will try to steal them at some point. You just never know.

The Finished Product

Here is how my DIY Stand Mirrors turned out:

It's not the prettiest with all the
scratches, but...

it's just as reflective as a glass mirror,
so it should get the job done!
If your stores don't have acrylic mirrors, and/or you don't want to pay that much for it, you could buy regular plexiglass (like what drum lines and outdoor groups use to keep music on their stands), have them cut it, and them follow this DIY guide to making your own acrylic mirror on eHow.com. 

Alright, that's all for now! I can't wait to put these babies into action! I hope it was helpful, or at least gave you a useful idea or two. Thank you, as always, for reading. Take care, and until next time...

Musically yours,
Mr. Cooper

Sunday, May 1, 2011

Oh, the Places You'll Go!

Today the band performed at a festival as part of its spring trip. The director chooses this festival both for its location and for its hard judging. In the parking lot, in front of the busses, with grey overcast and gusting winds, he called the band (still in their tuxes and dresses) around into a circle and announced they had made straight ones at the contest for the first time. A victory cheer rang out, complete with smiles, hugs, jumping, and that sort of thing. The excitement seemed short lived, however. They were surprised, but not too surprised.

Later in the day a student wanted to leave the room, and for this place I had to follow. I got my shoes on, put my ear buds in, and started listening to the second movement from “Estancia”. Due to a slight headache I was slow getting off the couch, and let the student get a little head start on me, so when I walked outside I was walking alone.

Outside – the wind was stronger here than it was on the mainland. Through the sound of the breeze cut the calls of seagulls, of which there were likely hundreds near by. Leaving the complex, walking on grass, I came to an old, wooden bridge. The bridge led over a hill of tall grass and occasional cacti that predated civilization on this patch of land. It was the same kind of terrain that surrounded all of the developed lots you passed on the way to the condos. Soon you had to walk over a thick, long patch of bright, tan colored sand as you continued over the bridge. It was loose sand, textured with unmoving ripples, but also easily picked up by the wind and carried into your eyes. But then once you were over the hill, you could finally see it.

The beach.

Unlike on the bridge, the sand on the beach was compact. I pictured it being loose and difficult to walk on, but it was very much the opposite, compact though bumpy. It was also much darker sand than I’d pictured. Just like any wet dirt you would find. And it was warm. In fact, while the clouds were overcast grey, and the gusty winds never let up, the temperature stayed slightly warm, and the air humid. When I took out one of my ear buds I finally could hear the sound of crashing waves added to the roar of the wind and the calls of seagulls. The waves themselves were more frequent than I would’ve imagined. And taller. Turbulent was the word that came to my mind.

Yep, this particular beach was not quite as nice as I had hoped. The entire beach front was littered with mounds of seaweed. With bare feet you had to carefully step over it on your way out to the water. Even the seagulls seemed to have a tough time. When flying from right to left, they zoomed past me, but in the opposite direction they had to fight for every foot of progress against the wind. For a moment I wondered if that was frustrating for them, and then the wind resistance brought one of them within ten feet of me at lower than chest height. For a few moments, before it escaped, I was able to replace the backdrop with one from a higher altitude, and I imagined what it might be like to be his wing man, like something out of an IMAX movie.

Not what I’d imagined, but still very nice (the beach, that is). The last time I visited a beach I was with the Angelo State University Marching Band not far from here in Corpus Christi, though we didn’t arrive at the hotel until after dark. The last time I could recall being to the beach before that? My childhood, and a family vacation with my dad and his second wife down in a beach town in Mexico. It got me to thinking.

Thanks to the band, I’ve done a lot of traveling, and I’ve been a lot of places. Thanks to the band I got to see and experience so many things, whether it was that yearly trip to Schlitterban after State Solo and Ensemble, or the Inaugural Parade in Washington D.C. (which itself was followed by a few nights and days of sight seeing, great dining, and incredible memories), and so much more.

Being part of “the band” has been, and continues to be one of the greatest decisions of my life. Not only when I signed up for it as an elective for the first time (when I chose it as the alternative to Spanish), but every year that I decided to go back.

We don’t want those trips to be the reason kids sign up for band. We want it to be for the musical experiences. But this sort of traveling is also a great reason. The friends, the stories… Oh, the stories. So many of them. I often wonder how many other bands had their own version of “619”, or their own Fight Clubs going on in hotel laundry mats.

Most students graduate and rarely, if ever, play music again, with a band or otherwise. Which is sad. But of course we chose differently. I can’t help but to think that it was one of, if not the most influential decision of my life. Where would I be, if not for “the band?” Who would I be? What experiences would I have? I’m sure it wouldn’t have been a bad life, but I seriously doubt it would’ve been anything like what I’ve lived so far.

How many people from my high school band do I still keep up with? How many friends have I made through Kappa Kappa Psi across the southwestern US as well as in my own chapter? Thanks to the fraternity, in addition to the band trips, I went to district conventions for six straight years, visiting cities and campuses I might not have otherwise ever seen. And the hotel at National Convention two years ago? Presidents go there. I might have never been there, nor met Pat Sheridan and Sam Pilafian, were it not for the fraternity. And I would’ve never been in the fraternity were it not for “the band.”

On my way back from the beach I had these thoughts swimming in my head. In my ears were the sounds of “Elsa’s Procession to the Cathedral”, a piece of music I had the privilege of performing a few years ago. It was one of the greatest musical experiences I can recall from my college years. Why were all of these memories and thoughts pouring into my head?

Who knows? But I felt like telling every one of those kids in the band I was here with, “Stay in band. It will be the best decision of your life, every time. Whatever you do, stay in band!”

The places it has taken me. My goodness! I’m so grateful to have had a great high school band experience. I’m so grateful to have stuck with it through college. And though right now, with graduation a week away and the poor outlook of the job market bringing great uncertainty for me and my family (which has a second son joining the ranks in just a few short months), I know that once I find the next band to be a part of, sticking with it will continue to be one of the most rewarding decisions I could possibly make. Seriously, are we lucky, or what?

But I probably don’t have to tell you. Regardless, I just had these things on my mind lately, being on yet another band trip, but the last of my college career, and the first with a high school group since 2003, and with student teaching having officially ended this past Friday, and graduation a week from today… you get the idea. I just wanted to document them. And share them with anyone who would listen.

So thank you for reading, for allowing me to share. Until next time, take care!

Musically yours,
Mr. Cooper
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